Customer Testimonials

3 ½ Tin Rocket Entertainment
“Because of the size of the Iconix, I’m able to do things with it I couldn’t do with a standard HD camera. At the induction ceremony for the VH1 Rock and Roll Hall of Fame, which was live, we used the Iconix backstage in a small area we had set up as the greenroom. The goal was to provide a locked shot of talent right before they went onstage and while they were listening to their introductions to the induction ceremony. It was a very emotional time for a lot of the participants, and we couldn’t be obtrusive, with a full-size camera and cameraman, and still be able to capture what these performers were feeling. We also wanted the footage to have a very specific look, one that was easily distinguishable from the onstage activity. The Iconix allowed us to do both.”
—Jay Lavely, 3 ½ Tin Rocket Entertainment

CSI: Crime Scene Investigation
“You can stick the Iconix almost anywhere. It’s so small, so light, that you can rig it to almost anything—from actors to cars to bicycles. Now that I know how well the Iconix works, I consider it a part of my arsenal, another color on my palette. It opens the way for me to introduce other ideas to directors while I’m shooting and it helps me design shots when I’m directing. Because of its small size, there are fewer limitations on how we can use it.”
—Michael Slovis, DP, CSI: Crime Scene Investigation

The Kill Point
“When I first read the script for The Kill Point, I immediately thought this would be the perfect application for the Iconix. During the interview, one of the things I brought up was this camera and what a great asset it would be for the production. The director really wanted to add a different look and do some things that were out of the ordinary, so he readily agreed.”
—Bert Dunk, ASC, CSC, Director of Photography for The Kill Point